
He's earned the right to look this brooding.
SOURCELast night, I attended a lecture by
Chip Kidd, who—along with
Stefan Sagmeister,
Charles Anderson, and
Eduardo Recife—ranks among my top currently-living-and-working graphic designers. (Some of you comic book guys may recognize Chip Kidd's name from his work with DC, like
this book.)
To give you an idea of Kidd's sense of humor, the title of his lecture was taken from a article he read about Celine Dion's Vegas show: "There is a style gland that becomes malignant in Nevada." Aside from the humor, though, Kidd's process can be summed up in two points:
1.
Always be "on." He stated that whenever he sees something cool, he thinks about what he's working on. Constantly observe what's around you, what it means, what it says. Keep track of ideas that you have and save them up for the right moment.
2.
Have a concept, then serve it. Even the most oblique choices come from somewhere, from something.
Perhaps these points are obvious, sure. Nevertheless, the lecture was inspiring and exactly what I needed to hear. After all, hearing Chip Kidd as I embark on the end of my graphic design studies* brings me full circle, as Chip Kidd's voice started me on this journey. Before I started school in 2002, my boss at the time gave me a copy of
The Cheese Monkeys as a gift. The novel is set in a Graphic Design 101 class. The teacher is hell, the class is hell, and the insights are astounding. It's quite a fun novel and, as you might imagine, beautifully designed. It set the tone for school.
And now Chip Kidd has set the tone for my graduation. This Monday, I begin my final quarter in school. That means it's time to get my portfolio together and put myself on the line. Up until last night, I've been a mess thinking about it. I had so much inexplicable anxiety about it. Will I get a job? Do I have enough pieces to put together a portfolio? Have I wasted three years of my life canceling plans with friends to do homework? After hearing Kidd speak, all of a sudden, I had a newfound surge of confidence. School forced me to be always "on." School forced me to always have a concept and to support it with my designs and with my explanations of those designs. Chip Kidd reaffirmed those notions by presenting slide after slide of various iterations of covers, exposing how he came to his solutions.
My girlfriend (
remember her?) and I returned to my apartment where I had the task of preparing for my first portfolio class on Monday. After weeks of being concerned that I would have enough pieces I felt were good, I put together a portfolio bag filled with over twenty pieces, and I still have three more to print, and they don't all need the crapload of work I thought they would. I was able to stand back and say, without gloating, "Say, that's pretty good." Sure, maybe the color needs tweaking in this one or some kerning here and there could stand a little work, but, damn, I finally feel ready.
So why am I bringing up all of this self-aggrandizing bullshit? Because I have to tell you that for the next three months, I'm busy. Very very very busy. You think I've been busy before? Now I'm totally completely utterly fucking busy. Along with Portfolio, I have one other class that is quite a doozy, and I have a portfolio show come December that I must prepare for. Blogging will be light. Social engagements will be incredibly light. I'm fortunate enough to have Lesley, who finished school this week (congratulations!), to help me trim and mount and bind and adhere. I have to keep my eye on the goal.
I want to issue a blanket apology to all of my friends right now: I'm sorry for the long stretches of time you won't see me in the next three months.
As I complete pieces, I'm going to post them at
ARLOdesign.com. I'll also be tweaking (completely redesigning?) that site. Check it weekly starting in about three weeks to see new work.
In the meantime, have one for me. I'll see you on the other side.
*For now. I haven't ruled out
grad school